Posts Tagged ‘Yaron Shani’

Must See Movies: February 2010

January 31, 2010

With the dregs of January swirling down the drain, audiences can prep themselves for classier fare. This month marks the return of two cinematic masters in the form of Scorsese and Polanski. Their works might look a little loosey-goosey, but there’s little doubt about the razor-sharp talents behind a pair of crime dramas from Israel and France. Finally, get some uplift as Shah Rukh Khan battles Homeland Security for his dignity.

Ajami
Release date: Feb. 3
The pitch: Israel’s problems—and lord knows there’s a lot of them—are filtered through several interlocking stories set in a tough neighborhood of Jaffa. It’s an Arab-Israeli Wire!
Fun fact: Jaffa gets a nod in the Bible as the port where Jonah boarded a ship on his ill-fated escape to Tarshish.
Why it could be great: After earning acclaim on the festival circuit, this tough drama won Best Picture and Director at the Israeli Oscars last year.
Why it could suck: There are very few happy endings in Israel.

My Name is Khan
Release date: Feb. 12
The pitch: An autistic Muslim (Shah Rukh Khan) finds happiness with a single mom (Kajol) in San Francisco. Then 9/11 turns his world upside down.
Fun fact: Last August, Khan was detained by Newark Airport security for questioning while promoting the film.
Why it could be great: SRK stars in a story that’s sure to tug the heartstrings of discriminated-against immigrants and angry liberals alike. There’ll be a few musical numbers, too.
Why it could suck: The emotional maelstrom reaches fever pitch when Khan embarks on an odyssey to meet Barack Obama himself.

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Trailerama: Ajami

September 8, 2009

Ajami is a tough neighborhood in the Israeli city of Jaffa. It provides the backdrop for this debut from the Israeli-Arab filmmaking team of Scandar Copti and Yaron Shani. Several stories are wound around each other, using The Wire‘s methodology to show how criminal, class and racial tensions make up the Israeli fabric. Copti himself has a role as a man dying to leave the precinct. First, though, he must dispose of his brother’s packet of drugs. The film received a Camera d’Or at this year’s Cannes Film Festival.