Posts Tagged ‘Wim Wenders’

Berlin 2010 Preview: Panorama Dokumente, Part 1

February 8, 2010

The Panorama sidebar at this year’s Berlinale overflows with documentaries. Especially documentaries about either a) gay life around the world or b) downtown New York during the 1980s. Both of which, some might say, are closely related. As well as portraits of Warhol superstars and stories of gay life in Paraguay, there’s a search for enlightenment David Lynch-style and a new film from the director of Control Room. Click on the title for trailers and other clips.

Alle meine Stehaufmädchen – Von Frauen, die sich was trauen (All My Tumbler Girls Or All About Women Who Dare To…)

Ever wonder what it’s like being a woman over 40 living in Berlin? Lothar Lambert did, so he went out and interviewed 11 associates. Although well-known in Germany, friends like photographer Erika Rabau and painter Evelyn Sommerhoff may not mean a lot to international audiences. Lambert’s doc highlights the common threads of their lives as well as the differences.
Fun fact lazily obtained from Wikipedia: The name “Berlin” is possibly derived from “Berl,” an Old Polabian stem meaning “swamp.”

Arias With a Twist: The Docufantasy

Klaus Nomi fans will recognize Joey Arias’s name. He was the singer’s confidant during the Lower East Side’s ‘80s heyday. Since his lover’s death Arias has emerged as a formidable performance artist in his own right. Bobby Sheehan documents his collaboration with puppeteer Basil Twist on Arias With a Twist and digs up related footage that featuring Jim Henson and Andy Warhol.
Fun fact lazily obtained from Wikipedia: While working at the Fiorucci boutique, Arias took part in the first live display in the shop’s windows.

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Rotterdam 2010 Preview: Spectrum Premieres

January 21, 2010

How best to define the Rotterdam Film Festival’s Spectrum sidebar? The site declares that it “brings together highlights of the film year, new work by prominent auteurs and topical, strong and innovative films by accomplished filmmakers.” So really, any old tat. This year’s assortment is particularly lively. As well as a prime cut of Dutch perversity, there are tactile love stories from Thailand, a pair of robust films from the Philippines, the return of Chris Petit, and an Austin-set horror flick. Sharp and sexy, the Spectrum is festival popcorn without tears.

Ang Mundo sa Panahon ng Bato (Stone is the Earth)

Last year the world got the first intimations that Filipino cinema was undergoing a kind of renaissance. Ramon Mes de Guzman moved to filmmaking after becoming a literary success with the short story collection Barriotic Punk. He follows up his festival hit The Road to Kalimugtong with the story of a rural family. A homecoming is followed by a discovery which threatens to undo them all.

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Writer/director Chris Petit’s 1980 debut Radio On was the kind of film it’s hard to live down. Shepherded by Wim Wenders, the mix of British road movie and rock ‘n’ roll is still a touchstone for cultists and psychogeographers alike (Petit is profiled in Iain Sinclair’s Lights Out for the Territory.) His latest promises more of the glorious same. Another journey is mediated by a new century and the zen of the stick shift.

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