Posts Tagged ‘Vital Signs’

The Great SXSW 2010 Preview Dump: Emerging Visions, Part 2

March 11, 2010

First-time filmmakers often feel like they’re buried beneath the topsoil of indifference. Fortunately, SXSW is there ready with a shovel to help them arise blinking into the bright light shed by Indiewire.com. In the second part of our prEView (see what we did there?), there is among the budding sprouts films about aging, death, vengeance, and poverty. On the brighter side, there’s also a sure candidate for the greatest movie ever made about a parking lot. We’re serious! Click on the titles to watch trailers and more.

Read our SXSW Headliners Preview.
Read the first part of our SXSW Spotlight Premieres preview.
Read the second part of our SXSW Spotlight Premieres preview.
Read our SXSW Narrative Features Competition preview.
Read our SXSW Documentary Features Competition preview.
Read the first part our SXSW Emerging Visions preview.

The Parking Lot Movie

To many, the parking lot is just a parking lot. To the attendants of a Charlottesville, Va., business, it’s a livelihood, a way station between brighter things, or possibly the most rewarding job of their lives. Meghan Eckman and Christopher Hlad hope to do for the humble tarmac what Spellbound did for spelling bees. It’s safe to say that you will never look at a sign reading “$5 for the half hour” the same way again.

Passenger Pigeons

The coalfields of Eastern Kentucky are the terminal backdrop for an intersecting series of narratives. Since that’s about all we know about writer-director Martha Stephens film—aside from the fact that a dead miner looms over all our characters—we’ll remind you that the region has given us such country music acts as Loretta Lynn, Crystal Gayle, the Judds and Tom T. Hall.

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Trailerama: Les Signes vitaux (Vital Signs)

February 3, 2010

Brought home by her grandmother’s death, a young woman (Marie Hélène Bellavance) gets a job at a hospice. When not learning about the malady of aging and dying, she’s making enthusiastic love to some hairy stud. We can think of worse trade-offs. The morphine helps, too. Quebecois director Sophie Deraspe tempers her study of the little things that keep us together with a bold sense of imagery.

Rotterdam 2010 Preview: VPRO Tiger Awards

January 22, 2010

The Rotterdam International Film Festival introduced the VPRO Tiger Awards in 1995. Each year, three prizes are awarded to filmmakers for their first or second film. Winners have included Lou Ye (Suzhong River) and Kelly Reichardt (Old Joy). In contention this year are a host of deadly serious films, tackling family relationships, leave-taking of many stripes and that old stand-by sex … often in the raw and ragged manner of contemporary cinema. The contenders also comprise a tour of emerging cinemas from Costa Rica to Georgia.

Agua fría de mar (Cold water of the Sea)

The pitch: A couple looking to sell their property on Costa Rica’s Pacific coast meet a seven-year-old stray.
Their lives are changed forever? Well, the tot certainly throws emotions and class boundaries into sharp relief in Paz Fabrega’s debut feature.

Alamar (To the Sea)

The pitch: A young man goes on a fishing trip with his father in the Caribbean’s Chinchorro reef.
Lots of booze and marlin to be had? It’s certainly an exercise in male bonding. Pedro Gonzalez-Rubio’s documentary approach to his story means the egrets get as much attention as the relationships.

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