Posts Tagged ‘Susa’

Berlin 2010 Preview: Generations, Part 3

February 10, 2010

It may be true that all you need to make a film is a girl and a gun, but children have been an integral element since the Lumieres photographed a baby’s luncheon in 1895. Berlin’s Generations sidebar continues the tradition with over 50 features and shorts for and about those unknowable little buggers we like to call “the kids.” In the final installment of our preview, their stories range from life on the Georgia streets to South Korean orphanages to Michael Cera’s overactive imagination. Click on the titles to watch trailers.

Read the first part of our Berlin: Generations preview.
Read the second part of our Berlin: Generations preview.

Susa

Susa is a 12-year-old whose job delivering bootleg vodka takes him to some of the grimier corners of Georgia. He’s threatened by the police on one side and street gangs on the other. This grim existence is alleviated only by the promise that Susa’s father will one day return. Rusudan Pirveli’s feature debut also screened in the Bright Future sidebar at the 2010 Rotterdam Film Festival.

Te extraño (I Miss You)

Director Fabian Hofman’s film is set among Argentine exiles living in Mexico. The teenager Javier is haunted by the memory of his older brother, who was killed by the military junta. Everybody wants to Javier to be the leader Adrian was. But all Javier wants is to be himself—whoever that is.

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Rotterdam 2010 Preview: Bright Futures, Part 2

January 20, 2010

The second half of the Bright Futures slate at this year’s Rotterdam International Film Festival is dominated by homecomings. Documentary filmmakers go back to their roots to perform their investigations into history both personal and political. Sometimes it’s the dislocation which throws the contradictions of society into sharp relief. With all this brow-furrowing going on, it’s a relief to find some old stand-bys like the British comedy of embarrassment and a coming-of-age-among-the-tulips tale. The IRFF runs between January 27 and February 7. Oxygen tents will be available after the screening of The Sentimental Engine Slayer.

Mijn Enschede

The pitch: In 2000, the Dutch city of Enschede was ripped apart by a deadly fireworks factory explosion. Native filmmaker Astrid Bussink revisits the scene.
There’s still some fallout? It’s a personal journey of sorts. Bussink left the city the day the factory blew up. Since then she’s won awards for short documentaries like The Angelmakers and brought her first feature, The Lost Colony, to Rotterdam in 2008. Living within spitting distance of the memorial, the film filters the question of who’s to blame through her efforts at understanding.

Nuit Bleue

The pitch: Another story of return. Corsica is seen through the eyes of a homecoming expat, which reveal its patriarchal social structure and beautiful landscape.
I’ll book my vacation soon. It’s not all Lonely Planet eye-candy. Artist Ange Leccia has branched out into film to experiment with sound. There’s no dialogue anywhere in the film.
Immersive! The notes, however, do promise Serge Gainsbourg’s “Ne dis rien” on the soundtrack.
That’s funny. In the Bright Futures sidebar, you take your laughs where you can find them.

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