Posts Tagged ‘Sander Burger’

The Last-Minute ND/NF 2010 Preview, Part 2: Hunting & Zn. to Norteado

March 24, 2010

Families take the center stage in the second part of our New Directors New Films preview. In the Netherlands, a couple comes undone thanks to a new arrival. In Italy, a concubine dares to wander outside a brood’s closed ranks. In Canada, mother and son make like a WWE production of Who’s Afraid of Virginia Woolf? And you don’t even want to know what they’re doing to each other in Greece. It’s a line-up so gripping that film fans won’t even be able to turn from the screen to tell that elderly couple behind them to shut up. Hit the linked titles for more goodies.

Read the first part of our New Directors/New Films preview.

Hunting & Zn. (Hunting & Sons)

Tako and Sandra oughta be poster children for the Netherlands good life. Successful in both work and in life, the childhood sweethearts are the envy of all their friends. Sandra’s pregnancy should be cause for further celebration. In Sander Burger’s domestic horror, however, the blessed event is the very thing that causes their bourgeois bliss to spectacularly deflate. Don’t stand too close to the canal!

Io sono l’amore (I Am Love)

Luca Guadagnino takes a few frames from Visconti in this fragrant family saga, garnished with plenty of love, Italian style. Tilda Swinton is the beautiful Russian odalisque who marries into a fashion dynasty. Her second-class spousal existence is upended when she falls for a humpy young chef. Problem is Swinton’s surging libido might bring down the rest of the clan with her.

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Rotterdam 2010: Bright Future Premieres, Part 1

January 20, 2010

The Rotterdam Film Festival has a reputation for supporting the work of new filmmakers through the Hubert Bals Fund. The Bright Future sidebar focuses on directors making their first or second film. Too bad nobody took the title very seriously. Features and documentaries alike this year tackle dead serious issues while also bending the limits of their respective genres. In the first part of our sidebar preview, the curriculum includes Brazilian gentrification, African genocide and baby fever gone bad. The IRFF runs between January 27 and February 7. No razor blades or exhaust pipes will be allowed in the theatre.

Avenida Brasilia Formosa (Defiant Brasilia)

The pitch: A Recife neighborhood is relocated to make way for a coastal motorway.
The evils of gentrification, eh? Gabriel Mascaro’s film is closer to a portrait of the transplanted barrio. Mixing fact and fiction, the changing ‘hood is seen through the eyes of a videographer waiter and his clients.
Any shooting? Only the filmic variety. The subjects include a little boy who wants to be Spider-Man and a girl who is applying to be on Idolos Brazil.

El camino entre dos puntos (The Way Between Two Points)

The pitch: An oil worker in Patagonia lights out for the territory, where he witnesses the struggle between man and nature.
Does he turn into a blue alien smurf? Nope. This is the first feature from video artist Sebastian Diaz Morales, whose work has been described as “filmic narratives embracing stories that sometimes resemble science fiction, sometimes with certain catastrophic overtones, and in which there is an ever-present common denominator of a minimalist narrative style wherein the camera is always moving and in which the characters virtually function as metaphors for a story that goes beyond the anecdote to reveal problems of great scope in current society.”
Phew! Like I said, does he turn into a blue alien smurf? The results look closer to a combination of There Will Be Blood’s celebration of imperialism with the badlands of No Country for Old Men. But let’s move on, shall we?

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Trailerama: Hunting& Zn.

January 7, 2010

A young couple are overjoyed when they learn she’s pregnant. However, it doesn’t take long before the prospect of a blessed event is tearing this IKEA-loving family apart. Sander Burger’s film has been described as “delivering a razor sharp image of ‘average Holland at its narrowest’.” It’s due to screen at the Netherlands Film Festival in February 2010.