Posts Tagged ‘Pavel Kostomarov’

Trailerama: Kak ya provyol etim letom (How I Ended This Summer)

February 22, 2010

With Roads to Koktebel, writer-director Alexei Popogrebsky established himself as one of Russian #inema’s most promising talents. His se#ond film looks just as intriguing. A young college student repairs for the summer to a remote polar station in the Russian Arctic, manned by a crusty old-timer whose tour of duty is about to come to an end. The isolation is initially exhilerating. Then the pair start to get on each other’s nerves, a situation exacerbated by the boy’s slip-ups. How is this summer going to end? Something tells us it won’t be pretty. The thriller won three Silver Bears (for both lead actors and cinematographer Pavel Kostomarov) at the 2010 Berlin Film Festival. With Sergei Puskepalis, Grigory Dobrygin.

Berlin 2010: And the Winners Are …

February 20, 2010

After two weeks of films and wurst, the bears were let free. The Berlin jury, headed by perambulator extraordinaire Werner Herzog, gave its top prize of the Golden Bear to Semih Kaplanoglu’s Bal (Honey). The Turkish film mined a favorite theme of the festivals–fathers and sons–in its story of a young boy who goes into the woods to find his beekeeper dad. Bal also snagged the Ecumenical Jury Prize. Roman Polanski won the best director Bear for The Ghost Writer. Regardless of what anybody thought of the thriller’s merits, he was a clear sentimental favorite.

Other notable winners include the Romanian prison drama Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle), which won the Silver Bear and Alfred Bauer Prize. Sight & Sound‘s Nick James damned the film with faint praise, saying the “well-regarded, -made and -acted” film was marred by a “predictable storyline.” Lisa Cholodenko’s The Kids Are All Right went from Sundance to Berlin acclaim and was named the best film by the Ted Queer Film Awards. Winning two prizes for acting and cinematography was Kak Ya Provel Etim Letom, the new film from Road to Koktebel director Alexei Popogrebsky. It’s a two-hander set in an isolated Arctic station. Mohamed al-Daradji’s Iraqi odyssey Son of Babylon also won a pair of prizes.

Lucy Walker’s documentary Waste Land, about an artist finding inspiration in the scrapheaps of Brazil, won the Panorama Audience Award and the Amnesty International Prize. It was also a good week for James Franco, whose short film The Feast of Steven won the Best Short Film Teddy Queer Film Award (phew!). Derived from an NYU course, the five-minute film adapts a poem by Anthony Hecht. The complete list of winners continues after the jump. Click on the titles for more info and to watch trailers.

Golden Bear: Bal (Honey) (Semih Kaplanoglu)
Silver Bear – The Jury Grand Prize: Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle) (Florin Serban)
Silver Bear – Best Director: Roman Polanski for The Ghost Writer
Silver Bear – Best Actress: Shinobu Terajima in Caterpillar
Silver Bear – Best Actor (shared): Grigori Dobrygin and Sergei Puskepalis in Kak Ya Provel Etim Letom (How I Ended This Summer)
Silver Bear – Best Screenplay: Tuan Yuan (Apart Together), written by Wang Quan’an and Na Jin
Silver Bear – Artistic Contribution: Kak Ya Provel Etim Letom (How I Ended This Summer), cinematography by Pavel Kostomarov (Russia)
Alfred Bauer Prize: Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle) (Florin Serban)
Best First Feature Award: Sebbe (Babak Najafi)

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