Posts Tagged ‘Lucy Walker’

Berlin 2010: And the Winners Are …

February 20, 2010

After two weeks of films and wurst, the bears were let free. The Berlin jury, headed by perambulator extraordinaire Werner Herzog, gave its top prize of the Golden Bear to Semih Kaplanoglu’s Bal (Honey). The Turkish film mined a favorite theme of the festivals–fathers and sons–in its story of a young boy who goes into the woods to find his beekeeper dad. Bal also snagged the Ecumenical Jury Prize. Roman Polanski won the best director Bear for The Ghost Writer. Regardless of what anybody thought of the thriller’s merits, he was a clear sentimental favorite.

Other notable winners include the Romanian prison drama Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle), which won the Silver Bear and Alfred Bauer Prize. Sight & Sound‘s Nick James damned the film with faint praise, saying the “well-regarded, -made and -acted” film was marred by a “predictable storyline.” Lisa Cholodenko’s The Kids Are All Right went from Sundance to Berlin acclaim and was named the best film by the Ted Queer Film Awards. Winning two prizes for acting and cinematography was Kak Ya Provel Etim Letom, the new film from Road to Koktebel director Alexei Popogrebsky. It’s a two-hander set in an isolated Arctic station. Mohamed al-Daradji’s Iraqi odyssey Son of Babylon also won a pair of prizes.

Lucy Walker’s documentary Waste Land, about an artist finding inspiration in the scrapheaps of Brazil, won the Panorama Audience Award and the Amnesty International Prize. It was also a good week for James Franco, whose short film The Feast of Steven won the Best Short Film Teddy Queer Film Award (phew!). Derived from an NYU course, the five-minute film adapts a poem by Anthony Hecht. The complete list of winners continues after the jump. Click on the titles for more info and to watch trailers.

Golden Bear: Bal (Honey) (Semih Kaplanoglu)
Silver Bear – The Jury Grand Prize: Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle) (Florin Serban)
Silver Bear – Best Director: Roman Polanski for The Ghost Writer
Silver Bear – Best Actress: Shinobu Terajima in Caterpillar
Silver Bear – Best Actor (shared): Grigori Dobrygin and Sergei Puskepalis in Kak Ya Provel Etim Letom (How I Ended This Summer)
Silver Bear – Best Screenplay: Tuan Yuan (Apart Together), written by Wang Quan’an and Na Jin
Silver Bear – Artistic Contribution: Kak Ya Provel Etim Letom (How I Ended This Summer), cinematography by Pavel Kostomarov (Russia)
Alfred Bauer Prize: Eu Cand Vreau Sa Fluier, Fluier (If I Want to Whistle, I Whistle) (Florin Serban)
Best First Feature Award: Sebbe (Babak Najafi)

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Berlin 2010 Preview: Panorama Dokumente, Part 2

February 8, 2010

Gay life in and outside of New York dominates this year’s Dokumente sidebar. Both Rock Hudson and The Boys in the Band are placed beneath the camera lens. But if camp reappraisal isn’t your cinematic bag, then perhaps a lost Nazi propaganda film or Iran on the eve of a momentous election will be more to the taste. Too grim? In fact, the overall mood is one of celebration, whether it’s being LGBT in Israel or simply pounding the Berlin pavements.

Read the first part of our Panorama Dokumente preview here.

Hazman havarod (Gay Days)

Israel once had a reputation as a homophobic country, with police quick to crack down on gays and transsexuals with violent enthusiasm. In the last decade or so, homosexuality has been decriminalized and Israel now celebrates its gay heritage. A transsexual singer, Dana International, even won the Eurovision Song Contest for Israel in 1998. Yair Qedars examines what he calls “the pink revolution.”
Fun fact lazily taken from Wikipedia: Dana International is now a judge on Israel’s equivalent of American Idol.

I Shot My Love

A funny thing happen when director Tomer Heymann screened his last film Paper Dolls (2005) at the Berlin Film Festival. He met a German dancer, Andreas Merk, and fell in love. Merk moves to Tel Aviv to be with Tomer, but finds life in Israel difficult. The couple’s future also depends on Tomer’s patriotic mother, who is reluctant to let her son leave the country.
Fun fact lazily taken from Wikipedia: Paper Dolls took as its subject Filipino transsexuals working in Israel as caretakers for elderly Orthodox Jews.

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Sundance 2010 Preview: International Documentary Competition

January 12, 2010

While Sundance is committed to documentary, its audience is a little less crazy about the international kind. Still, it gets you out of the Park City snow and you’re unlikely to be sitting behind Harvey Weinstein. This year’s picks range from the Cambodian killing fields to a Brazilian dump to the Warsaw ghetto. In all likelihood, they will have about six laughs between them. Roll your sleeves up and prepare to take your medicine …

Click here to read our U.S. Dramatic Competition Preview
Click here to read our U.S. Documentary Competition Preview
Click here to read our International Dramatic Competition Preview

Enemies of the People

Spalding Gray once likened the Cambodian genocide to the farmers of upstate New York killing everyone in Manhattan. Two million people died when the Khmer Rouge’s turned the clock back to Year Zero. The country has struggled to both recover and forget. This doc follows Phnom Penh Post reporter Thet Sambath, who befriended the former Rouge leaders in order to learn why his entire family had to die. Sambath gets close to a unique heart of Khmer darkness, but puts his own home life in jeopardy.

A Film Unfinished

After herding the Jews into the Warsaw Ghetto, the Nazis proceeded to make a film lauding what they called their humanitarian effort. The movie was never completed, but academics have pored over the rushes, often oblivious to its propaganda purpose. Using the original footage and interviews with the surviving cameramen, Yael Hersonski shows how reality was whitewashed and learns the stories behind the faces found on film.

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