Posts Tagged ‘H.P. Lovecraft’

The Slate: Tobey Starts His Engine, Dazeder & Confuseder

March 28, 2009


  • With the deaths of Steve McQueen and Paul Newman, racing movies took a hit. Tom Cruise‘s insanity didn’t help much, either. (Nor Speed Racer). Undaunted, Tobey Maguire wants to get around the wheel. He’s producing The Limit, where the somnolent Spidey star will play Phil Hill, one half of a pair of real-life rivals racing for the Ferrari team during the 1960s. Maguire is especially excited about the project as he will not have to act from the shoulders down. (Hollywood Reporter)
  • As this post wisely points out, Ricky Gervais is a little too prickly for Hollywood. (And oh man, those teeth.) But the Brits will keep tossing money at him. He and his Extras/Office writing/directing cohort Stephen Merchant will make The Men at the Pru, which finds them on familiar ground–a building society (that’s Brit for “bank”)–with familiar faces–er, men–at an unfamiliar time–the 1970s. Cue play of “Come Up and See Me (Make Me Smile).” (Digital Spy)
  • Roll another number! Richard Linklater‘s follow-up to Orson Welles & Me will be a “spiritual sequel” to his most-watched movie, Dazed & Confused. Meaning? It’s about the first weekend of college in Austin, but don’t expect David Wooderson to be diving into any student rushes. It’s an all-new cast of characters. Should make for an peachy soundtrack, though. Cue play of “Oh Sherry.” (CHUD)
  • We’re getting H.P. Lovecraft battling monsters and maybe “primal grovellers.” Why not Harry Houdini? Basis for the Summit Entertainment film is a fanciful bio which claims the turn-of-the-century escapologist worked among spies and Romanovs when not swimming Niagara Falls. Harry will be “part Indiana Jones and Sherlock Holmes.” (And probably just a little Ben Gates.) Cue play of “Pomp and Circumstance,” Houdini’s theme tune. (Hollywood Reporter)
  • Anybody interested in a movie where Brandon Routhplays a vegetarian paranormal detective? C’mon kids, it’s a weekend. Anyway, the movie adaptation of Umberto Eco’s favorite Italian horror comic Dylan Doghas been given the yawnsome title of Dead of Night(snore!). Routh plays the Nawlins supernatural P.I. bedevilled by Taye Diggs, who has been in Grey’s Anatomy for so long he has turned into a vampire. Anita Briemwill try to stir Routh’s DNA … and ours. (Cinematical)

When Opie Met H.P. Lovecraft

March 26, 2009

hp-lovecraftEveryone’s favorite anti-Semitic, racist, classist “weird fiction” author could be meeting everyone’s favorite director of middlebrow entertainment. Variety reports that Imagine and Universal have snapped up the rights to The Strange Adventures of H.P. Lovecraft, with an eye to Ron Howard both producing and directing.

The title is a graphic novel based on Lovecraft’s life by commercial directors Mac Carter and Jeff Blitz. The writer himself battles the creatures of his Cthulhu Mythos when they are unleashed in the world. Carter will write the script. Variety says that Universal snapped up the Lovecraft property, believing the author would make a good fit with their monster franchises like Dracula, The Mummy and the Wolf Man (who gets a film of his own in November.) And you know what that means …


Nothing wrong with the author as hero, and Strange Adventures apparently deals with issues like the mental illness which afflicted Lovecraft’s mom and dad. But will it deal with his intolerance? A spell living in Red Hook, Brooklyn reinforced the New Englander’s hatred of the lower classes and non-whites (which found expression in his story “The Horror of Red Hook”). Throughout Lovecraft’s work, he frequently casts “ethnic types” as threats to civilization. In one virulent letter, he wrote, “The so-called Jews of today are either Carthaginians or squat Mongoloids from Central Asia, & the so-called Christians are healthy Aryan pagans who have adopted the external forms of a faith whose original flabbiness would disgust them.” In his “Re-animator” story, one African-American is described as “gorilla-like.” To ignore this would be like making a movie about Edgar Allan Poe where the strongest thing he drinks is tea.

Of course, Lovecraft is remembered less as a horrid little man and more as one of science fiction’s titans. Roger Corman brought The Dunwich Horrorto the screen, and the ’80s sex ‘n’ goo exploitationers Reanimator and From Beyond had their origins in his tales. Reanimator director Stuart Gordon is hoping to make The Thing on the Doorstep and Guillermo del Toro may do At the Mountains of Madness once he gets out of Hobbit-land.

His fan club includes Stephen King, Joyce Carol Oates, and Michel Houellebecq, who described his stories as “an open slice of howling fear.” Reviewing his Tales, published in the Library of America series, Daniel Handler was more guarded in his assessment:

Just as Oscar Wilde noted that ”one must have a heart of stone to read the death of Little Nell without laughing,” it’s tough to venture into a Lovecraft story with a straight face, let alone with chattering teeth. Lovecraft’s stories are so overwrought that they make Jules Verne look like a homebody and Edgar Allan Poe a well-adjusted realist; he pushes at the already extreme boundaries of the Gothic, horror and science fiction genres — not so much in the way that John Ashbery pushes at the boundaries of poetic form but more as Spinal Tap pushes at the boundaries of heavy metal: by turning the volume up to 11.

Will Howard wake up one morning and laugh his head off at the prospect of bringing the real Lovecraft to the screen? Time will tell. Let us know whether the dementia of Lovecraft the man should be unleashed upon the world.