Posts Tagged ‘Every Day is a Holiday’

The Last-Minute ND/NF 2010 Preview, Part 1: Amer to El hombre de al lado

March 24, 2010

Continuing the tradition of previews which are barely posted before the first film premieres and then go entirely unread, we present to you the first part of our New Directors/New Films survey. The annual smorgasbord, organized by the Film Society of Lincoln Center, cherry-picks the festivals for the best work by first-time filmmakers. What isn’t so nice is the old couple sat behind you who keep up a running commentary throughout each film. But that’s life on the Upper West Side. In the first part of our preview, we throw some alliterative phrases at dramas set in Muslim Detroit and Iran’s border, while Bill Cunningham and Candy Darling present two different views of the greatest city in the world. Hit those titles to watch trailers and more.

Amer

For their debut feature, experimental filmmakers Helene Cattet and Bruno Forzani turned to the giallo thrillers of Dario Argento and Mario Bava for inspiration. This isn’t just a spooky movie, but a coming-of-age film, as Ana suffers extreme situations at three key life stages. Amer–French for “bitter”–is less about narrative than immersing the audience in a senses-shattering sexual awakening. Game on!

Beautiful Darling: The Life and Times of Candy Darling, Andy Warhol Superstar

At Andy Warhol’s Factory, stars-in-their-minds learned how to become real works of art. So any portrait of a Superstar has a certain sideshow interest. Famed for a reference in Lou Reed’s “Walk on the Wild Side,” Darling turned herself from a Massapequa scamp into a blonde glamour queen who adorned Warhol’s films and even a Tennessee Williams play. Chloe Sevigny reads the late idol’s letters in James Rasin’s doc.

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Trailerama: Chaque jour est une fete (Every Day is a Holiday)

April 23, 2009

Three women with very different backgrounds set out to visit their imprisoned husbands. The jailbound bus breaks down after being hit by a strange bullet. With its journey framework and setting in the Lebanese desert (during Independence Day) no less, this could be another jerry-rigged issues lecture like Babel. What redeems Dima El-Horr’s debut feature is the sudden expressionistic turn it appears to take. El-Horr co-wrote the script with Rabih Mroue, an actor who has appeared in films like Ramad and Autour de la maison rose. With Manal Khader, Hiam Abbass, Raïa Haïdar.