Posts Tagged ‘Chloe Moretz’

The Slate: Twilight, Jean-Luc Godard and Mountain Goats

March 17, 2010

Gus van Sant, Sofia Coppola, Bill Condon … are any of them crazy enough to say “yes” to directing an installment of Twilight: Breaking Dawn? Probably not. Y’know, van Sant just might do it. (EW)

The line-up of this year’s 32nd Cinema du Reel Film Festival in Paris will include Godard/Mieville’s The Old Place and Reportage Amateur, as well as Richard Dindo’s promising Gaugin in Tahiti and the Marquesas Islands. Fest kicks off on March 18. (Cineuropa)

Speaking of Godard: “His devotion to the concept of the archive—including archival footage—is based in a sense of the object’s relic-like, totemic power that transcends evocation and memory to achieve a quasi-metaphysical incarnation of the past that restores its force through mythopoetic power, through the fact of its iconic contact with the past.” Right. (The Front Row)

Rian Johnson’s Life of the World to Come, starring the Mountain Goats’ John Darnielle, is released on DVD on Record Store Day, sounds a lot like that Jonsi doc, Go Quiet. (Pitchfork)

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Spring Movie Preview 2010

February 27, 2010

Will Avatar make every successive Hollywood blockbuster look like it’s underachieving? For at least the next few months, the answer’s yes. Studios are responding to James Cameron’s monolith by turning everything into 3D whether it demands it or not. This slash ‘n’ burn blockbuster policy is in keeping with a season filled with retreads, reboots and sequels.

High points? While the prospect of Shrek 4 may no longer seem so appetizing—admit it, you didn’t even know it was being released this year—fanboys are salivating over the already spit-sodden Iron Man 2. The airport paperback set, on the other hand, are looking forward to Bourne Goes to Iraq, aka Green Zone. Carrie and co. will also flounce back onto our screens in a new Sex and the City.

Maybe Squally will stick to the return of Mike Newell and the singular pleasures of Tyler Perry. Regardless of the quality, feel the width. This is a star-laden line-up, with Johnny Depp, Matt Damon, Russell Crowe, Cate Blanchett and Anne Hathaway all returning to the screen. While they cash the checks, we’ll continue to tip less mainstream fare in our Must See Movie series. Click on the titles for trailers, etc.

Alice in Wonderland
Release date: March 5
Starring Mia Wasikowska, Johnny Depp, Helena Bonham Carter
After damn near 20 years of hit-making, Tim Burton finally found himself as a director by turning to established properties like Willy Wonka and Sweeney Todd. A marriage with Lewis Carroll should be a nice fit. Alas, this “sequel” to the original cockeyed gospel looks like an unholy mess. Depp channels Peter Lorre as the Mad Hatter.
Fun fact: Critic Gilles Deleuze proclaimed that Carroll’s final work Sylvie and Bruno “is no doubt the first book that tells two stories at the same time, not one inside the other, but two contiguous stories.” Heads up, Disney. Get Todd Solondz on it.

Green Zone
Release date: March 12
Starring Matt Damon, Greg Kinnear, Brendan Gleeson
Damon mans up as Roy Miller, a Chief Warrant Officer whose job sniffing out WMDs in Baghdad is compromised by the U.S. administration. In the time-honored Hollywood tradition, he goes rogue. Hey, if they didn’t want him to make waves, they shouldn’t have put him in the middle of the desert.
Fun fact: Bourne director Paul Greengrass first approached Tom Stoppard to adopt Rajiv Chandrasekaran’s book Imperial Life in the Emerald City, but was turned down.

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Trailerama: Kick-Ass

November 13, 2009

One day, a high school nerd decides to stop talking about superheroes and become one himself. In this adaptation of the Mark Millar/John Romita Jr. comic, he joins the superhero community largely through moxie alone. Trouble is, some of these characters aren’t what you’d call well-balanced. There’s at least one chuckle to be had in this trailer, as well as the thought that most contemporary superhero films are so aware of their absurdity, that any satire might be redundant. Fans, we suspect, will largely be attracted to the generous helpings of mega-violence. Be warned: this is from the same studio who brought us The Spirit. Onetime Guy Ritchie mucker Matthew Vaughn directs a script by his Stardust scribe Jane Goldman.