Posts Tagged ‘American Psycho’

Berlin 2010 Preview: Panorama Main/Special, Part 3

February 6, 2010

Starting with a Sapphic rock ‘n’ roll band and ending with an elegy for the Bolivian aristocracy, the final part of our Panorama preview contains a broad range of viewpoints. Of note is an Aki Kaurismaki-endorsed story of incest, stories of seclusion from Russia and Israel, a no holds barred biopic about Ian Dury and a charming collection of South Korean actresses. Click on the titles to watch trailers.

Read the first part of our Berlin Panorama preview.
Read the second part of our Berlin Panorama preview.
Read the first part of our Berlin Competition preview.
Read the second part of our Berlin Competition preview.

The Owls

An aging ex-members of a lesbian rock band get a kick up the behind by the appearance of a 20-year-old newcomer. Twisted passions lead to both rebirth and revenge. The ninth film from Liberian-born lesbian director Cheryl Dunye (My Baby’s Daddy) stars Guinevere Turner, best known for writing the screenplays to American Psycho and I Shot Andy Warhol.

Paha perhe (Bad Family)

Produced by Aki Kaurismaki, this deadpan comedy features an obsessive single dad (Ville Virtanen) who will do anything to keep his son from hooking up with the love of his life—who happens to be the boy’s sister. The icky topic is perfect fodder for that very special brand of Finnish humor. Directed by Aleksi Salmenperä (A Man’s Work).

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Everybody needs money. That’s why they call it money.

April 2, 2009

Money is a touchy thing, which may explain why movies don’t get too serious about it. Coming down off a marathon session of Planet Money podcasts made it feel like it was high time to look at the movies that get it right. Or at least “get it right” in the view from our apple stand. Here’s a brief history of onscreen finance, dating from the dawn of cinema to 9/11. What did we miss? Leave your suggestions in the comments box.

A Corner in Wheat (D.W. Griffith, 1909)

One of the film pioneer’s most daring experiments in montage shows how a financier’s machinations leads to devastation on the farm and starvation on the breadline. The boss chokes on his own grain; the downbeat ending sticks in the craw.

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