Archive for the ‘Mexico’ Category

Happy Birthday, Emilio Fernandez!

March 26, 2010

The Last-Minute ND/NF 2010 Preview, Part 2: Hunting & Zn. to Norteado

March 24, 2010

Families take the center stage in the second part of our New Directors New Films preview. In the Netherlands, a couple comes undone thanks to a new arrival. In Italy, a concubine dares to wander outside a brood’s closed ranks. In Canada, mother and son make like a WWE production of Who’s Afraid of Virginia Woolf? And you don’t even want to know what they’re doing to each other in Greece. It’s a line-up so gripping that film fans won’t even be able to turn from the screen to tell that elderly couple behind them to shut up. Hit the linked titles for more goodies.

Read the first part of our New Directors/New Films preview.

Hunting & Zn. (Hunting & Sons)

Tako and Sandra oughta be poster children for the Netherlands good life. Successful in both work and in life, the childhood sweethearts are the envy of all their friends. Sandra’s pregnancy should be cause for further celebration. In Sander Burger’s domestic horror, however, the blessed event is the very thing that causes their bourgeois bliss to spectacularly deflate. Don’t stand too close to the canal!

Io sono l’amore (I Am Love)

Luca Guadagnino takes a few frames from Visconti in this fragrant family saga, garnished with plenty of love, Italian style. Tilda Swinton is the beautiful Russian odalisque who marries into a fashion dynasty. Her second-class spousal existence is upended when she falls for a humpy young chef. Problem is Swinton’s surging libido might bring down the rest of the clan with her.

(more…)

The Great SXSW 2010 Preview Dump: SX Fantastic

March 11, 2010

24 hours, over a hundred films, and that’s just our bloody preview. The madness finally comes to end with this perky sidebar that celebrates SXSW’s onnection with Austin’s other great film festival, September’s Fantastic Fest. The line-up might seem more selective than past years, but the program promises a “special event TBA.” So there’s always that. In the meantime, sate your mind-bending with a honorable assortment of Japanese vampires, porno actors and the usual head-fuckery.

Read our SXSW Headliners preview.
Read the first part of our SXSW Spotlight Premieres preview.
Read the second part of our SXSW Spotlight Premieres preview.
Read our SXSW Narrative Features Competition preview.
Read our SXSW Documentary Features Competition preview.
Read the first part our SXSW Emerging Visions preview.
Read the second part our SXSW Emerging Visions preview.
Read our SXSW Lone Star States preview.
Read our SXSW 24 Beats Per Second preview.
Read our SXSW SW Global preview.
Read the first part of our SXSW Festival Favorites preview.
Read the second part of our SXSW Festival Favorites preview.
Read the third part of our SXSW Festival Favorites preview.
Read our SXSW Midnighters preview.

Higanjima

Akira’s life has been marked by the prolonged absence of his brother. Then he learns that the boy has been seen on Higanjima Island. There’s a few catches. The island is said to be inhabited by vampires and no one has ever returned from its shores. Of course, that’s never stopped anybody in a Japanese horror film. South Korean filmmaker Tae-gyun Kim (Volcano High) orchestrates this manga adaptation.

Monsters

Sometime in the future, Mexico has been completely quarantined after the crash landing of an infected probe. While the military wage war with the creatures that fell to earth, a journalist and a tourist try to jump the border into the Infected Zone. Writer-director Gareth Edwards’ sci-fi film revisits District 9 territory to make some smart points about immigration amid the flying tentacles.

(more…)

The Great SXSW 2010 Preview Dump: SX Global

March 11, 2010

There is more to life than Texas. Although, as any Texan will tell you, not much more. So hurrah to SXSW for looking beyond its borders to the world outside. While the inclusion of a Native American-themed documentary in the “global” slot is troubling, the rest of the lineup fulfills its brief. In the U.K., CCTVs and databases makes Daily Mail readers of us all. There’s glimpses of Finnish living rooms and the very edges of time. There’s love, loss, incarceration, impotency, death. When all else fails, there’s always Viagra to act as our troubled planet’s the great uniter. Click on the titles for trailers where available.

Read our SXSW Headliners Preview.
Read the first part of our SXSW Spotlight Premieres preview.
Read the second part of our SXSW Spotlight Premieres preview.
Read our SXSW Narrative Features Competition preview.
Read our SXSW Documentary Features Competition preview.
Read the first part our SXSW Emerging Visions preview.
Read the second part our SXSW Emerging Visions preview.
Read our SXSW Lone Star States preview.
Read our SXSW 24 Beats Per Second preview.

The DeVilles

Teri Lee Geary is a burlesque performer who looks like Marilyn Monroe and swings her tassels by the name of Kitten DeVille. She’s married to punk rocker Shawn Geary. DeVille is obsessed by the 1950s of Eisenhower. He’s mired in the 1980s. Now, after a quarter century of mismatched bliss, it’s coming undone. Documentary filmmaker Nicole Nielsen Horanyi is there to film the kitschy Strindberg action.

Erasing David

Keen to find out how much the U.K. government and its corporate databases know about him, filmmaker David Bond (Lions of Green) drops off the grid. Then he hires a pair of detectives to find him using available information. As another film once put it, we live in public. Bond’s discoveries, however, serve to fuel his paranoia about living in the surveillance state of Knifecrime Island.

(more…)

Berlin 2010 Preview: Generations, Part 3

February 10, 2010

It may be true that all you need to make a film is a girl and a gun, but children have been an integral element since the Lumieres photographed a baby’s luncheon in 1895. Berlin’s Generations sidebar continues the tradition with over 50 features and shorts for and about those unknowable little buggers we like to call “the kids.” In the final installment of our preview, their stories range from life on the Georgia streets to South Korean orphanages to Michael Cera’s overactive imagination. Click on the titles to watch trailers.

Read the first part of our Berlin: Generations preview.
Read the second part of our Berlin: Generations preview.

Susa

Susa is a 12-year-old whose job delivering bootleg vodka takes him to some of the grimier corners of Georgia. He’s threatened by the police on one side and street gangs on the other. This grim existence is alleviated only by the promise that Susa’s father will one day return. Rusudan Pirveli’s feature debut also screened in the Bright Future sidebar at the 2010 Rotterdam Film Festival.

Te extraño (I Miss You)

Director Fabian Hofman’s film is set among Argentine exiles living in Mexico. The teenager Javier is haunted by the memory of his older brother, who was killed by the military junta. Everybody wants to Javier to be the leader Adrian was. But all Javier wants is to be himself—whoever that is.

(more…)

Berlin 2010 Preview: Generations, Part 1

February 10, 2010

Like the Jesuits, the Berlin Film Festival understands that you need to get ‘em while they’re young. To that end, the Generations sidebar features films about and aimed at youth. This year’s selection of 56 features and shorts looks at every aspect of growing up, from unappreciative single parents to freaky flights of fancy. In the first part of our preview, we start out on a Mexican fishing trip and end up running away with an Italian circus.

Alamar

Three Mexican generations convene on the Chinchorro reef in Pedro Gonzalez-Rubio’s acclaimed “documentary fiction” of fathers and sons. Daniel Kasman wrote, “a sojourn of a film, getting the simplicity and details of a wonderful but limited experience down to their most honest, most untroubled, most tender, and often most beautiful essences.”

Bestevenner (Best Friends)

This Norwegian children’s film from director Christian Lo combines young friendship, the Christmas season and the threat of deportation. When their friend Naisha flees to Oslo, Julie and Mette pack up their knapsacks and give chase. Expect heartstrings to be hammered like Jerry Lee Lewis attacking a piano.

(more…)

Trailerama: Te extraño (I Miss You)

February 2, 2010

Javier’s family have fled Argentina’s military dictatorship and now live in a Mexican exile. His older brother Adrian was left behind and died a martyr’s death. In Fabian Hofman’s arresting debut feature the 15-year-old Javier navigates both coming of age and living in the shadow of a hero. Due to screen at this year’s Berlin Film Festival.

Rotterdam 2010 Preview: Spectrum Premieres

January 21, 2010

How best to define the Rotterdam Film Festival’s Spectrum sidebar? The site declares that it “brings together highlights of the film year, new work by prominent auteurs and topical, strong and innovative films by accomplished filmmakers.” So really, any old tat. This year’s assortment is particularly lively. As well as a prime cut of Dutch perversity, there are tactile love stories from Thailand, a pair of robust films from the Philippines, the return of Chris Petit, and an Austin-set horror flick. Sharp and sexy, the Spectrum is festival popcorn without tears.

Ang Mundo sa Panahon ng Bato (Stone is the Earth)

Last year the world got the first intimations that Filipino cinema was undergoing a kind of renaissance. Ramon Mes de Guzman moved to filmmaking after becoming a literary success with the short story collection Barriotic Punk. He follows up his festival hit The Road to Kalimugtong with the story of a rural family. A homecoming is followed by a discovery which threatens to undo them all.

Content

Writer/director Chris Petit’s 1980 debut Radio On was the kind of film it’s hard to live down. Shepherded by Wim Wenders, the mix of British road movie and rock ‘n’ roll is still a touchstone for cultists and psychogeographers alike (Petit is profiled in Iain Sinclair’s Lights Out for the Territory.) His latest promises more of the glorious same. Another journey is mediated by a new century and the zen of the stick shift.

(more…)

Trailerama: Todo, en fin, el silencio lo ocupaba (All Things Were Now Overtaken By Silence)

January 8, 2010

There must be a technical term which describes that industrial hum. It’s become a trademark of 21st century filmmaking. What’s missing in this trailer for Nicolas Pereda experimental documentary is the centerpiece, a recitation of the poem “First I Dream” by performance artist Jesusa Rodriguez. This black and white tone poem is set to screen at this year’s Rotterdam Film Festival.

Trailerama: Norteado

October 26, 2009

Oaxaca farmer Andres has been unsuccessful in his efforts to jump the fence into the United States. He ends up cooling his weary heels at a Tijuana supermarket. With each failed attempt, he gets to know the two women who run the place a little better. Friendships are formed. But what’s Andres going to do if he ever makes it to the promised land? Writer-director Rigoberto Perezcano’s feature debut looks like a bittersweet comedy with a topical edge. Mexico, as usual, does a magnificent job of playing itself.