Archive for the ‘Denmark’ Category

The Last-Minute ND/NF 2010 Preview, Part 3: The Oath to Zanan-e badun-e mardan

March 24, 2010

Don’t cry no tears. All good things come to an end. So do our tardy previews. The New Directors/New Films festival lights up the spring season by bringing to New York the best debuts from festivals like Cannes and Sundance. In the final assortment, there’s a lauded love letter to cinema from Mia Hansen-Løve, the welcome return of Judy Berlin director Eric Mendelsohn and a notable French addition to the “Don’t Stand So Close to Me” genre.

Read the first part of our New Directors/New Films preview.
Read the second part of our New Directors/New Films preview.

The Oath

Abu Jandal and Salim Hamdan are buddies who took very different routes through al-Qaeda’s militant network. Jandal now works with Yemeni youth to temper their fundamentalism. Hamdan sits in Guantanamo, notorious as Osama bin Laden’s onetime chauffeur. The latest film from My Country, My Country director Laura Poitras is another unique look at the Middle East.

Le Pere de Mes Enfants (The Father of My Children)

French film producer Humbert Balsan helped bring works by Bela Tarr and Claire Denis to the public. His life and death inspired this acclaimed new feature from Mia Hansen-Løve, partner of Olivier Assayas. It’s a fresh take on Day for Night, with an overworked producer (Louis-Do de Lencquesaing) juggling family and the fact that there isn’t enough hours in the day to achieve cinematic greatness.

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The Great SXSW 2010 Preview Dump: Festival Favorites, Part 3

March 11, 2010

A lot of quality rounds out the section seeking to capture the best of the fests. Winter’s Bone has already attracted garlands from Sundance and could become a film of the year. Then there’s Harmony Korine’s latest atrocity Trash Humpers. The real gem, though, may well be Det røde kapel, whose trailer implies it could be the looniest caper ever set in North Korea. Skip seeing that lousy R&B band and add these to your checklist. Click on the titles for trailers where available.

Read our SXSW Headliners Preview.
Read the first part of our SXSW Spotlight Premieres preview.
Read the second part of our SXSW Spotlight Premieres preview.
Read our SXSW Narrative Features Competition preview.
Read our SXSW Documentary Features Competition preview.
Read the first part our SXSW Emerging Visions preview.
Read the second part our SXSW Emerging Visions preview.
Read our SXSW Lone Star States preview.
Read our SXSW 24 Beats Per Second preview.
Read our SXSW SW Global preview.
Read the first part of our SXSW Festival Favorites preview.
Read the second part of our SXSW Festival Favorites preview.
Read our SXSW Preview: Headliners here.
Read our SXSW 2010 Preview: Spotlight Premieres, Part 1 here.
Read our SXSW 2010 Preview: Spotlight Premieres, Part 2 here.

The Oath

My Country, My Country director Laura Poitras’ new doc reaches SXSW after hitting Sundance and Berlin. Poitras has taken a ride Osama bin Laden’s chauffeur and his brother-in-law. Both were former members of al Qaeda who ended up taking very different turns. In probing their choices, Poitras digs up the roots of fanaticism and hints at a future that lies beyond suicide bombings and online beheadings.

Det røde kapel (The Red Chapel)

Simon Jul Jorgensen and Jacob Nossell wanted to visit North Korea to perform their revue The Red Chapel. They invited director Mads Brügger along. He took a camera. What follows seems hardly believable, not least because one of the Korean-born comics is a spastic and everyone might be insane. Having seen the trailer, one YouTube commentator begs the question, “How did they get out alive?”

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The Great SXSW 2010 Preview Dump: SX Global

March 11, 2010

There is more to life than Texas. Although, as any Texan will tell you, not much more. So hurrah to SXSW for looking beyond its borders to the world outside. While the inclusion of a Native American-themed documentary in the “global” slot is troubling, the rest of the lineup fulfills its brief. In the U.K., CCTVs and databases makes Daily Mail readers of us all. There’s glimpses of Finnish living rooms and the very edges of time. There’s love, loss, incarceration, impotency, death. When all else fails, there’s always Viagra to act as our troubled planet’s the great uniter. Click on the titles for trailers where available.

Read our SXSW Headliners Preview.
Read the first part of our SXSW Spotlight Premieres preview.
Read the second part of our SXSW Spotlight Premieres preview.
Read our SXSW Narrative Features Competition preview.
Read our SXSW Documentary Features Competition preview.
Read the first part our SXSW Emerging Visions preview.
Read the second part our SXSW Emerging Visions preview.
Read our SXSW Lone Star States preview.
Read our SXSW 24 Beats Per Second preview.

The DeVilles

Teri Lee Geary is a burlesque performer who looks like Marilyn Monroe and swings her tassels by the name of Kitten DeVille. She’s married to punk rocker Shawn Geary. DeVille is obsessed by the 1950s of Eisenhower. He’s mired in the 1980s. Now, after a quarter century of mismatched bliss, it’s coming undone. Documentary filmmaker Nicole Nielsen Horanyi is there to film the kitschy Strindberg action.

Erasing David

Keen to find out how much the U.K. government and its corporate databases know about him, filmmaker David Bond (Lions of Green) drops off the grid. Then he hires a pair of detectives to find him using available information. As another film once put it, we live in public. Bond’s discoveries, however, serve to fuel his paranoia about living in the surveillance state of Knifecrime Island.

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Trailerama: The Devilles

February 12, 2010

There isn’t much remarkable about a musician married to a stripper. When the union lasts for over a quarter century, however, that’s cause for attention. What’s even stranger is that Shawn and Teri Lee Geary have competing obsessions. He’s a punk rocker still fighting the war against Reagan. She’s a burlesque performer mired in the mascara of Marilyn Monroe. Danish Filmmaker Nicole Neilsen Horanyi was forutnate enough to catch this odd pop culture pair as their relationship appeared to be reaching the end of the road. Anders August is credited as co-writer. Due to screen at this year’s SXSW Film Festival.

Berlin 2010 Preview: Competition, Part 2

February 4, 2010

This year’s Berlinale features established filmmakers wandering into unfamiliar territory. Martin Scorsese gives a Dennis Lehane tale all the gaudy trappings of a Hammer horror film. Zhang Yimou puts down his ornate sword-play films for a farcical take on the Coen Brothers. 24 hour party person Michael Winterbottom even takes Texas by the tail in a full-blown film noir. Matters of faith also loom large in films from Germany, India and Bosnia-Herzegovina. Berlin is a broad church.

Read the first part of our Berlin Film Festival Competition preview.

The Killer Inside Me

Lou Ford is one of author Jim Thompson’s greatest antiheroes. Ford’s a psychotic charmer who keeps the peace in a town populated by mattress-happy dames and lowdown double-crossers. Guerilla filmmaker Michael Winterbottom (The Road to Guantanamo) isn’t everyone’s first choice to helm a Lone Star noir, but Casey Affleck seems just the right feller to fill Ford’s bloodstained boots.

Mammuth (Mammoth)

It’s easy to take Gerard Depardieu for granted, yet the shaggy icon delivers. Here he plays a worker who can’t retire until he finds his last six employers. That sends him on a journey around France astraddle his Mammoth motorcycle. Among the figures from his past is Isabelle Adjani, asleep for the last four decades. Written and directed by Benoît Delépine and Gustave de Kervern (Louise-Michel).

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Berlin 2010 Preview: Competition, Part 1

February 3, 2010

The Berlin Film Festival is often overshadowed by Cannes Film Festival as it’s very difficult to dock a yacht in Berlin. It’s endured for 60 years, though, as an early warning system for the best of the year’s international art house fare. The Competition strand features those films vying for the Golden Bear, which in past years has gone to Jose Padilha’s The Elite Squad and Claudia Llosa’s The Milk of Sorrow. The field’s first half features Japanese war stories, the making of one of the worst films ever made, criminals old and young and the returns of Polanski, Baumbach and Popogrebsky.

Bal (Honey)

Turkish director Semih Kaplanoglu’s fifth film is a father/son story set in the remote mountains. Young Yusuf is ostracized at school for his stammer, but worships his beekeeper dad, who tends to a network of precarious treetop hives. When his father is called away on business, Yusuf follows him into the forest.

Kyatapira (Caterpillar)

Lieutenant Kurokawa returns from the front of the second Sino-Japanese War. He’s had his arms and legs blown off. Shigeko is expected to dutifully attend to her immobile war hero husband. Director Koji Wakamatsu’s previous film, the acclaimed United Red Army, still awaits release in the U.S. Based on the story by Edogawa Rampo, which was censored by the Japanese authorities in 1939.

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Trailerama: Submarino

January 25, 2010

Early tragedy made a pair of brothers part ways a long time ago. Now Nick is an alcoholic living in a flophouse; his nameless little sibling is a junkie struggling to raise his six-year-old son on his own. Few know better than Festen director Thomas Vinterberg how families can make sparks fly. His 15th film and first since 2007’s En mand kommer hjem/A Man Comes Home is due to premiere at the Berlin Film Festival. Based on the hard-hitting novel by Jonas T. Bengtsson.

Trailerama: Det rode kapel (The Red Chapel)

March 31, 2009

The enticing premise of this documentary is that a Korean-born, Denmark-based comic duo have gotten permission to perform in North Korea. Intrigued, director Mads Brugger decides to go along for the ride. He’s smart enough to bring his camera. This is no diplomatic cultural exchange, though. Simon Jul Jorgensen and Jacob Nossell intend on criticizing the regime in the form of their vaudeville revue. Oh, and Jacob is a spastic. So far, so fascinating. Maybe even a little improbable. Then we saw that it’s produced by spazz-loving Lars von Trier’s Zentropa studio. Knowing what a prankster von Trier is, can any of this be believed? Judge for yourselves.