Yeah, so the Berlin Film Festival has probably started already. This may still be of use to somebody. The Forum section is traditionally populated by newbies and experimental filmmakers. This year, several themes have emerged, among them the importance of labor and the plight of women in the modern economic system. The third part of our Forum preview has a particularly feminist bent, with documentary filmmakers tackling life in both ultra-Orthodox Israel and ultra-crazy North Korea. After it all, though, we end with a zippy Taiwanese comedy about a guy who just wants to visit his Parisian girlfriend. Click on the titles to watch trailers.
A handgun and a photograph lead a young DVD pirate to become involved in a troubled couple’s lives. Director Tayfun Pirselimoglu situates this noir threesome in the industrial outskirts of Istanbul, where the atmosphere is as potent as Eraserhead’s distillation of Philadelphia.
Putty Hill
American filmmaker Matt Porterfield uses the day before a junkie’s funeral to scrutinize the rest of the family. In a faux documentary style, Porterfield creates deft sketches of put-upon skate punks and their impressively inked parents.
While adults geek out on the latest from Scorsese and Polanski at this year’s Berlin Film Festival, the kids get their very own Generations sidebar. With films ranging from hard-hitting documentaries like Neukölln Unlimited to the sci-fi romance of SUMMER WARS, it’s a menu that caters to a very varied group of tastes. Some things remain constant, though, like bullying, pain-in-the-neck siblings, road trips and parents who just don’t seem to understand. Click on the titles to watch trailers.
Emma (Naissance des pieuvres’s Louise Blachere) escapes from the pressures of teenage life by creating a fantasy world. It’s populated by her overbearing mother and the swooning heroine Sister Welsh, who yearns to escape her convent school for the hunky arms of Capt. Grant. Emma happily lives in her imaginative universe until a boy takes an interest. Directed by Jean-Claude Janer.
A Lebanese family of hip-hop dancers living in Berlin’s Neukölln district is threatened with deportation. Lial and Hassan Akkouch raise money so their brother Maradona can stay in the country, but the youngster falls in with a bad crowd. Agostino Imondi and Dietmar Ratsch’s documentary is like Save the Last Dance if it were real. And good.
With little to his name other than a photograph and a bundle of money, shaven-headed Daniel has reached the end of the line. He’s holed up in La Barra, a remote fishing village on Colombia’s Pacific coast. He gets to know the indigenous locals while waiting for a boat in Oscar Ruiz Navia’s neorealist feature. The film is due to screen at this year’s Berlin Film Festival.
