Archive for March, 2010
John Cusack’s got shit to promote. So he recalls his terrible ’80s and tripping on LSD at the Super Bowl. (NYT)
Robin Hood is set to open this year’s Cannes Film Festival. With Russell Crowe, William Hurt, Danny Huston and Max von Sydow in the codpieced cast, assume the red carpet will be a little testosterone-heavy. (Cineuropa)
“Anti-christ” James Cameron wants to smash “f*cking asshole” Glenn Beck with one of those Avatar exo-skeletons. He calls it “dialogue.” (Vulture)
Son of No One, the new cop drama from Dito Montiel, casts both Juliette Binoche and Tracy Morgan–surely the WTF pairing of the year. The 30 Rock star does have something of the young Gerard Depardieu about him. (Vulture)
Don’t cry no tears. All good things come to an end. So do our tardy previews. The New Directors/New Films festival lights up the spring season by bringing to New York the best debuts from festivals like Cannes and Sundance. In the final assortment, there’s a lauded love letter to cinema from Mia Hansen-Løve, the welcome return of Judy Berlin director Eric Mendelsohn and a notable French addition to the “Don’t Stand So Close to Me” genre.
Abu Jandal and Salim Hamdan are buddies who took very different routes through al-Qaeda’s militant network. Jandal now works with Yemeni youth to temper their fundamentalism. Hamdan sits in Guantanamo, notorious as Osama bin Laden’s onetime chauffeur. The latest film from My Country, My Country director Laura Poitras is another unique look at the Middle East.
French film producer Humbert Balsan helped bring works by Bela Tarr and Claire Denis to the public. His life and death inspired this acclaimed new feature from Mia Hansen-Løve, partner of Olivier Assayas. It’s a fresh take on Day for Night, with an overworked producer (Louis-Do de Lencquesaing) juggling family and the fact that there isn’t enough hours in the day to achieve cinematic greatness.
Families take the center stage in the second part of our New Directors New Films preview. In the Netherlands, a couple comes undone thanks to a new arrival. In Italy, a concubine dares to wander outside a brood’s closed ranks. In Canada, mother and son make like a WWE production of Who’s Afraid of Virginia Woolf? And you don’t even want to know what they’re doing to each other in Greece. It’s a line-up so gripping that film fans won’t even be able to turn from the screen to tell that elderly couple behind them to shut up. Hit the linked titles for more goodies.
Tako and Sandra oughta be poster children for the Netherlands good life. Successful in both work and in life, the childhood sweethearts are the envy of all their friends. Sandra’s pregnancy should be cause for further celebration. In Sander Burger’s domestic horror, however, the blessed event is the very thing that causes their bourgeois bliss to spectacularly deflate. Don’t stand too close to the canal!
Luca Guadagnino takes a few frames from Visconti in this fragrant family saga, garnished with plenty of love, Italian style. Tilda Swinton is the beautiful Russian odalisque who marries into a fashion dynasty. Her second-class spousal existence is upended when she falls for a humpy young chef. Problem is Swinton’s surging libido might bring down the rest of the clan with her.