Western Union: Hirokazu Kore-eda

“Before we made this film, we actually bought an air doll, filled it up, and put it in a conference room. We tested putting its air out. When she’s full, she was just plastic. But when the air went out of her, there’s something about the way her knees bent that felt very erotic to all the males in the room. For me, it’s a portrait of the difference in how men and women approach sex: she wants to be fulfilled; he wants to unfill her.”

Hirokazu Kore-eda on pre-production for Air Doll (via Time Out Hong Kong)

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