Ajami is a tough neighborhood in the Israeli city of Jaffa. It provides the backdrop for this debut from the Israeli-Arab filmmaking team of Scandar Copti and Yaron Shani. Several stories are wound around each other, using The Wire‘s methodology to show how criminal, class and racial tensions make up the Israeli fabric. Copti himself has a role as a man dying to leave the precinct. First, though, he must dispose of his brother’s packet of drugs. The film received a Camera d’Or at this year’s Cannes Film Festival.