Philippe Petit better have a few more acrobatic feats in his arsenal. He famously balanced an Oscar on his chin at the Academy Awards. The man who walked between the Twin Towers got another chance to dazzle when Man on Wire won three prizes at the Cinema Eye Awards in New York. The crowd-pleasing Wirewas recognized in the Outstanding Achievement in Nonfiction Film-making category, as well as production and editing. Vals Im Bashir/Waltz With Bashir doesn’t have any magic tricks, but director Ari Folmanwill no doubt be pleased that his animated documentary won four prizes, including Outstanding Achievement in Direction. The other big winners (in fact, the only other winners) included Werner Herzog’s Encounters at the End of the World and Up the Yangtze, whose director Yung Chang won Outstanding Debut Achievement. The full list after the jump.
Posts Tagged ‘Waltz With Bashir’
A few months ago, NPR ran a rather gratuitous item of how reviewer/jester Mike D’Angelo was raising money through his blog so he could go to Cannes. Why he couldn’t just stay at home and wait for the good movies to come to the United States like the rest of us was beyond this blogger, but we came to understand his dilemma on finding that there’s a Hollis Frampton retrospective on at the Anthology Film Archives this weekend. Anybody want to lend a broke blogger $9 to see Zorns Lemma? Thought not.
All of which is a way of saying that reader, we are poor. Hence, reader, we will not be attending the New Directors/New Filmsseries running at the New York’s MOMA and Walter Reade Theatre until April 5. Much to our shame, we didn’t even realize the festival was on. Fortunately, other writers are paid to pay attention. What follows is a summary of what to see if you’re seeing ND/NF 2009.
In the Village Voice, Nick Pinkerton looks at the 39th edition of the fest and decides yep, it’s old. And that you never know what you’re gonna get. But you can get a good idea via the paper’s useful interviews with film directors Ondi Timoner (We Live in Public), Esther Rots (Can Go Through Skin), So Yong Kim (Treeless Mountain), Sophie Barthes (Cold Souls), and Louie Psihoyos (The Cove).
Other writers take a more structural approach. In the New York Times, Stephen Holden wants him some of that A.O. Scott/Richard Brody bloodbath, boldly affirming what he calls “social realism” as “humanistic art with an educational frisson.” That’s the keynote of this year’s fest, with something of an “internationalist tone.” Indiewire’s Howard Feinstein identifies “home” as a key theme, although the way he expresses don’t half make the head hurt:
Be it a villa or shanty, a dwelling is a sacrosanct extension of our bodies, our psyches, our values, our souls, humankind projected into architectural form.
Grab some aspirin, and take a survey of what to expect (and with trailers) after the jump.
Many are nursing St. Patrick’s hangovers at the moment, so when better to take a sample of the Tribeca Film Festival line-up? All day today we’ll be posting trailers from the films featured in this year’s fest, which kicks off on April 22. To begin, we’ve got a timely documentary on Wall St., a documentary about a blind child, a spot-on Blaxsploitation parody, a very grimy trailer for William Friedkin’s The Boys in the Band, a look at “business artist” Mark Kostabi, an investigation into anti-Semitism, an Oscar winner, and Kristin Scott Thomas grimacing through a Noel Coward adaptation.
American Casino (Leslie Cockburn, 2009)
The gamblers from Bear Stearns, Standard & Poor’s, and other future “I Love the 2000s” staples tell all.
There’s always more … after the jump!