Posts Tagged ‘Prince of Persia: Sands of Time’

Spring Movie Preview 2010

February 27, 2010

Will Avatar make every successive Hollywood blockbuster look like it’s underachieving? For at least the next few months, the answer’s yes. Studios are responding to James Cameron’s monolith by turning everything into 3D whether it demands it or not. This slash ‘n’ burn blockbuster policy is in keeping with a season filled with retreads, reboots and sequels.

High points? While the prospect of Shrek 4 may no longer seem so appetizing—admit it, you didn’t even know it was being released this year—fanboys are salivating over the already spit-sodden Iron Man 2. The airport paperback set, on the other hand, are looking forward to Bourne Goes to Iraq, aka Green Zone. Carrie and co. will also flounce back onto our screens in a new Sex and the City.

Maybe Squally will stick to the return of Mike Newell and the singular pleasures of Tyler Perry. Regardless of the quality, feel the width. This is a star-laden line-up, with Johnny Depp, Matt Damon, Russell Crowe, Cate Blanchett and Anne Hathaway all returning to the screen. While they cash the checks, we’ll continue to tip less mainstream fare in our Must See Movie series. Click on the titles for trailers, etc.

Alice in Wonderland
Release date: March 5
Starring Mia Wasikowska, Johnny Depp, Helena Bonham Carter
After damn near 20 years of hit-making, Tim Burton finally found himself as a director by turning to established properties like Willy Wonka and Sweeney Todd. A marriage with Lewis Carroll should be a nice fit. Alas, this “sequel” to the original cockeyed gospel looks like an unholy mess. Depp channels Peter Lorre as the Mad Hatter.
Fun fact: Critic Gilles Deleuze proclaimed that Carroll’s final work Sylvie and Bruno “is no doubt the first book that tells two stories at the same time, not one inside the other, but two contiguous stories.” Heads up, Disney. Get Todd Solondz on it.

Green Zone
Release date: March 12
Starring Matt Damon, Greg Kinnear, Brendan Gleeson
Damon mans up as Roy Miller, a Chief Warrant Officer whose job sniffing out WMDs in Baghdad is compromised by the U.S. administration. In the time-honored Hollywood tradition, he goes rogue. Hey, if they didn’t want him to make waves, they shouldn’t have put him in the middle of the desert.
Fun fact: Bourne director Paul Greengrass first approached Tom Stoppard to adopt Rajiv Chandrasekaran’s book Imperial Life in the Emerald City, but was turned down.

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Hollywood 1, DVD 0

March 23, 2009

dvdHere’s all the news that fit to print: The DVD market is in the tank. Blockbuster is currently growing at a snails pace. And all the studios hate Netflix. So the New York Times is reporting that the studios are going back to what they think they know best: making films that will actually turn a profit at the box office.

Brooks Barnes aligns the statistics. Ticket sales are up 14% for 2009. (Watchmen not withstanding.) Sales for new-release DVDs, on the other hand, are down 40%. The reasons are myriad: a movie is still considered a cheap night out, there are simply too many DVDs out there (Howard the Duck just hit stores, accompanied by the sound of a barrel being scraped) and most of youse is downloading films from t’Internet. The result: studios have lost that retail safety net, or what one producer calls the “downside protection.”

iron-man1The new strategy is getting bums on seats, which may account for the absolute traffic jam of big tentpoles being released in 2010. Among them are Tim Burton‘s Alice in Wonderland, Jon Favreau‘s Iron Man 2, Christopher Nolan‘s Inception, Prince of Persia: Sands of Time, Toy Story 3, Eclipse, Thor, Green Lantern and a Harry Potter installment. As of this reckoning, we’ll see . Barnes also elegantly sums up the bigger picture:

“In addition to big “tent pole” blockbusters, that means movies that are fun to watch in groups: at least 10 musicals are in full-steam-ahead development, including a remake of “My Fair Lady.” And it means more pictures that are pre-branded: “Monopoly” and “Candy Land,” the movies, are on the way. Most of all, it means a strong return by major studios to middle-of-the-road, genre pictures.”

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